Transformation: Living in Fear to Living in Courage

First I’d like to say “thank you” to everyone who has contacted me through various online outlets in support of this project. 

For those of you familiar with the Six Stage Plot Structure, you might wonder why I chose to focus on the Identity and Essence of the Hero first.   A recent, and extremely humorous, brush with my own Identity prompted this exploration of the Six Stage Plot Structure.   Over the course of this project, I will look at the Hero’s Outer Journey as well as the Hero’s Inner Journey.  Because I am a very character driven writer,  from my perspective both Journeys are driven from the hero’s struggle to move away from his Identity, or false self, in order to live in his Essence, or truth, and thus lead a fulfilling life

Keep in mind the following: Identity = False Self / Essence = Truth

The Wound

A hero’s identity is derived from a wound, or an unhealed source of pain from the past, often something experienced during adolescence.  From this wound, we form beliefs on how the world works.  Beliefs that grow from wounds are never accurate, but they are always logical to the hero.  In The Hunger Games, by Suzanne Collins, when Katniss’ father unexpectedly dies, her mother retreats into her own grief leaving Katniss with the enormous responsibility of keeping her family from starving to death.  From here, Katniss forms the belief that if she grows to care for anyone, she will then become responsible for their survival.  At the beginning of her journey we see an emotionally isolated hero only capable of caring for her sister, and unable to accept kindness from anyone for fear that she will grow to care for them, and in turn, become responsible for them. 

What is a Hero’s Identity? 

Keep in mind that we are talking about the journey from living in fear to living in courage.  A hero’s Identity is the emotional armor worn to protect the hero from getting hurt.  In Katniss’ world safety = emotional isolation.  The armor she wears is the false belief that if she does not get close to others, she will survive.  It is only when she allows herself to care for others that she starts to live fully in her courage, or her essenceThistranslates to her success and survival. 

In my current Young Adult Novel, Forbidden Signs, my hero, Terra, is continually placed in leadership roles that she does not want.  In addition, she has done nothing to actively achieve these positions.  With each honor, she loses whom or what she loves the most.  As a result, Terra believes that by refusing the role of leader her world, that she thinks is safe, will not change.  Only when she embraces the natural leader within will she find fulfillment and reach her goal in the story.   

Because we are not fictional characters, we might have more than one wound or identity.  My wounds from grade school and high school formed my Identity, which is a lack of self-worth or confidence.  Because of this lack of self-confidence, I have shielded myself from exposure.  If I didn’t take chances in life, I couldn’t fail.  As a writer, I wrote for years in secret, cloaked in my identity, wrapped in self-doubt.  Even after I joined writing groups and began to pursue my dream in earnest, I kept this part of my life a secret from anyone outside my immediate sphere.  The very first question people ask once you expose yourself as a writer is “what have you published?”  While we are not fictional characters, we are all on a journey, regardless of our end goal.  The fact that I am currently unpublished does not chage the fact that I am a writer.  My goals for my life as a mother and wife differ from those of my life as a writer.  Obviously the visible goal of my Outer Writer’s Journey (more on that next week!) is publication, preferably a multi-book deal with an option for a film.  If you’re going to dream, dream big! 

In writing about my journey, this is me taking a step towards living in my courage, or my essence, as a writer.

Posted in Forbidden Signs, The Hero's Journey, Writing, Young Adult | Tagged , , | 16 Comments

The Hero’s Journey Begins

Every writer has a unique process in crafting a story.  Susan Wiggs, one of my favorite contemporary romance authors, builds a story visually through the art of collaging.  Nora Roberts is what we writers call a pantser.  She starts with a story concept, or maybe just one character, and writes the first draft until it is done.  She might have an idea of where she is going, but how she gets there remains a mystery until the words are written. Plotters write an entire outline down to the last scene before starting the first draft.  A great writer and friend of mine once said, “I’m almost ready to write the first draft.  I just have to complete the character arc for the dog.” She was being funny at the time, but she knew where she was headed!  My stories tend to take shape from moments…scenes that I plug into the only constant on the road to discovering my writing process…The Hero’s Journey.

Years ago when I first joined my local New Jersey Romance Writers Association (NJRW) a series of articles appeared in the Newsletters on the 12 stages of The Hero’s Journey.  I was hooked.  Since that time I have studied the works of Joseph Campbell who first identified the twelve journey steps.  I then moved on to The Writer’s Journey by Christopher Vogler who took a closer look at The Hero’s Journey specifically for writers and screenwriters

We writers have what we call “ah-ha” moments.  A few months ago I attended a Six Stage Plot Structure workshop given by Michael Hauge.  In part this was an in-depth screen writer’s interpretation of The Hero’s Journey.  The day turned into more than an “ah-ha” moment for my writing and my life.  When something impacts you so strongly, you can’t help but what to share it with others. 

My Six Stage Plot Structure Blogging Plan

Over the course of the next several weeks I plan to take a step by step look at the Six Stage Plot Structure as taught by Michael Hauge.  In doing so, I will draw examples from films and television, my current Young Adult work in progress, Forbidden Signs, and my life.  This idea as a writing exercise excites and terrifies me at the same time.  Even so, I’m going to make a commitment to see this through.  It would be easy to back down from this challenge, but the very first piece of information conveyed in the workshop is also the very reason why I will complete this task: The Hero’s Inner Journey is the journey of transformation from living in fear to living in courage.  

Next week I plan to look at the Identity and Essence of a Hero. 

Posted in Facing Fears, Forbidden Signs, The Hero's Journey, Writing, Young Adult | Tagged , , | 35 Comments

BRAVE: Tackling the Complex Mother / Daughter Relationship

I took my daughter to see the movie Brave yesterday.  I didn’t get what I expected.  I got so much more.  On the way home we joked that we kept waiting for the Princess to find her Prince.  Disney billed this in the countless commercials we’ve seen for the month leading up to the opening as Merida hopes to escape an arranged marriage.  Pixar, however, had other plans.  As a romance writer, I will never discount the importance of the Prince, but this movie focused on a much more complex relationship than love at first site, or the hero to the rescue, or even the fight for true love.  With the Hollywood landscape so focused on the male hero, something Meryl Streep eloquently discussed at the recent 2012 Women In Film Crystal + Lucy Awards http://www.webpronews.com/meryl-streep-wants-hollywood-to-give-women-a-chance-2012-06, Brave bravely turns a focused attention to the complexities within the mother / daughter relationship. 

 

In Brave, Princess Merida and her mother Elinor struggle with communication.  They are unable to listen to and respect the desires and motivations of the other.  Merida would like to live free from her mother’s expectations.  Quite possibly, she feels the enormity of one day stepping into her mother’s shoes.  I found this same idea overwhelming when I was younger.  The transformation in their relationship grows organically when the two face the possibility of losing one another forever.  The film uses a unique plot device in which two-way verbal communication is inhibited, visually embodying the previous disconnect.  This impairment forces the two to listen with their hearts.  I don’t want to give away the plot as this is not a review of the film (I’ll just say, go see it, you won’t be disappointed), but what invested me so fully in this story was the resolution.  Only when each set aside their pride could the rift between them mend.  What a beautiful sentiment…to listen without pride.

Over the past year I have dedicated my efforts in developing a Young Adult Fantasy that will span three novels.  Within the story, my main character, Terra, (whom I plan to introduce in future blog posts) struggles in her relationships with her mothers.  Yes, she has two…one here on earth in the town where she was raised, and her birth mother whom she discovers following her sixteenth birthday in the world where she was born to live and one day rule.  Brave turned my thoughts to Terra and her need to circumnavigate unfamiliar terrain with two very different mothers.  As the story arc unfolds, the relationships with her mothers, how she is able to communicate, or not, with each, will play a paramount role in shaping her future.  My thoughts also turned to two very important relationships in my life…that with my mother and my daughter.  Each relationship requires its own finesse in the art of communication, listening, and compromise.  At times we all slip and pride gets in the way.  However, when there is a strong enough desire to set things right, love will always trump pride.

Posted in Family, Forbidden Signs, Uncategorized, Writing, Young Adult | 12 Comments